Curator’s Note

February Specials

Fui Can-Tamakloe

FICTION

We be the Sobolo Boys. As we be kiddies, Lankai always dey talk blood be thick pass water, but e no thick pass sobolo. We dey call wona-selves Sobolo Boys sekof we know sey wona bond thick pass blood. Nothing dey wey I no go do for Castro or Lankai, wey I know sey dem too go fit die give me. We be the original Hakuna Matata. The real Asheee Gbeyie.

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Yolanda Kwadey

FICTION

February Specials

Martin Egblewogbe
Kofi Akpabli

NONFICTION

FICTION

Across the decades, Ghanaian food has changed. Or perhaps, food has stayed the same and we have changed. Either way, the taste has shifted, slipped, softened, sometimes vanished altogether. And Christmas, of all seasons, exposes it mercilessly.

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February Specials

NONFICTION

Kobby Ankomah-Graham
Lizz Johnson

NONFICTION

A creative industry thrives when its ecosystem is close to complete—when all parts

work together in a way that supports creation, circulation, and sustainability. There

is no true “end point” in creativity; it is cyclical. A functional ecosystem means that

alongside talented writers, poets, and spoken word artists, there are professionals

managing, refining, distributing, and amplifying their work

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February Specials

POETRY

Henneh Kyereh Kwaku

Pleasure &

POETRY

Afia Ansong

February Specials

POETRY

Kofi Konadu Berko

POETRY

Akosua Afriyie-Hwedie

February Specials

POETRY

Beah Batakou